I scored second row seats to Jeff Beck in Indianapolis last night. My friend Jim and I went up to Indy, had some dinner and saw the show.
Aside from some issues with a bad stage monitor that caused a very “crunchy” bass sound through the first four songs, it was an auditory experience like none other. Jeff played his classics, some of his blues stuff, four tunes that I counted from his latest album “Emotion and Commotion” as well as many of his more challenging jazz pieces. He opened the show with “Spectrum” and it was simply amazing.
The killer female bass player, Tal Wilkenfeld, that played on Jeff’s latest studio album was not part of his band. Any disappointment I may have felt about not getting to see/hear her was quickly dispelled after a few songs of hearing Rhonda Smith play. Rhonda is a former member of Prince’s band “The New Power Generation” and she can sing some bluesy vocals as well. She played a mean Fender Jazz Bass and a pretty unique upright electric bass.
The drummer, Narada Michael Warden, filled out the rhythm section and Narada had more stage presence than any drummer in recent memory. He was smiling broadly as he absolutely pummeled his drums. Being so close to the stage, Warden’s drums and Smith’s bass were literally causing my t-shirt to flap. I was a little surprised at the “crisp” volume because I understood that Jeff Beck had a bad case of tinnitus and/or hearing loss at one time.
The keyboard player, Jason Rebello, was an important part of the sound as well. Jeff is using a lot of string arrangements and synthesizer accompaniment these days. He did a really nice version of Jeff Buckley’s “Lilac Wine” and while I thought it sounded a little corny on the record, his performance of “Somewhere Over the Rainbow” was beautiful live.
I had never seen Jeff Beck play live before and I was very fortunate to be so close because he put on a clinic last night. His right hand was constantly working the whammy bar and the volume knob as he carried out his signature finger-picking style. He had several stretches of harmonics from which he squeezed-out additional notes using the whammy bar.
I could go on and on. There were a couple of points in the show (like when he played an instrumental version of the Beatles “A Day In The Life”) where the sounds he was making were at once hypnotic and mesmerizing. It was as close as I have been to hearing someone put 4000 people in a trance.
He played for 90 minutes and did one 4-song encore.
Jeff Beck turns 66 this Thursday. Don’t make the mistake I did with BB King. If you have a chance to catch Jeff Beck on this tour – do it. He is still very much at the top of his ability and the performance last night was a masterpiece.








